OEDIPUS DOESN’T LIVE HERE ANYMORE  AUSTRALIAN THEATRE FOR YOUNG PEOPLE
Lighting Design

“Emma Lockhart-Wilson’s lights address the play’s unrelenting movement of time and space, with excellent certitude and power.”
Suzy Goes See

COMING TO SEE AUNT SOPHIE SHALOM ENCOUNTERS
Lighting Design

“The set, lighting, costume and sound design all intelligently meet the challenge of evoking scores of different moments from Karski’s life.”
Arts Hub

A TOWN NAMED WAR BOY AUSTRALIAN THEATRE FOR YOUNG PEOPLE
Lighting Design

“… clever set design and lighting transports the audience very quickly from their immediate environs.”
The Daily Telegraph

“The stunning lighting design, by Emma Lockhart-Wilson, coupled with the music, composed by Steve Francis, and sound design, by Alistair Wallace, aid the transition between scenes.”
Aussie Theatre

“Around the stage, a series of layered painted-canvas backdrops create a startlingly effective evocation of the cliffs and beaches of Turkey, especially late in the play when coupled with Lockhart-Wilson’s lighting and Wallace’s sound design.”
The Spell of Waking Hours 

“The animated images, on this stage, combined with the very effective lighting by Emma Lockhart-Wilson and the accompanying Composition by Steve Francis, and Sound Design by Alistair Wallace make for a very simple imaginative immersion into the world that the writer has conjured.”
Kevin Jackson

“Corfield’s design team… very effectively creates the play’s dark, frightening, living on one’s nerves world.”
Sydney Arts Guide

“So much care and respect has gone into this production, at every level, the source material and subject matter handled with grace and that adventurous creative eye that we so want from our artists…”
Lisa Thatcher

RAGNEROK/OR HOW IT ENDED/ HIS THREE DAUGHTERS
Lighting Design

“A lone, wailing electric guitar, looming shadows, lashings of gold glitter, tealight candles and white flour poured and projected through the air via a fan all contributed to a luxe yet sparse aesthetic that really did summon an end-of-days feeling.”
Real Time

FRAMED DE QUINCY CO.
Lighting Design

“Emma Lockhart-Wilson’s lighting is entirely empathic to their vision.”
Curtain Call

BEGUILED PACT CENTRE FOR EMERGING ARTISTS
Lighting Design

“The key creatives in this magnificent work are women. I note this not because they are “women making work” but women making magnificent work.”
Augusta Supple

“The lighting and soundscapes are beautiful and rich and innovative.”
Sydney Arts Guide 

CARLY AND TROY DO A DOLL’S HOUSE HIS THREE DAUGHTERS
Set and Lighting Design

“The brown paper set on flimsy wooden frames of hinged doors is smart, and allows projections, and other seamless multimedia to play out over the play, again redoubling the effect.”
The Advertiser